piet mondrian e yves saint laurent | ysl mondrian collection piet mondrian e yves saint laurent A conversation about the bond between fashion and fine art is incomplete without an in depth discussion of Yves Saint Laurent's Mondrian dress. The shift dress that puts all .
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ysl mondrian collection
Born in Amersfoort, Netherlands, in 1872, Piet Mondrian studied fine arts in Amsterdam from 1892 to 1895. He initially adopted a realistic approach to painting before exploring fauvism, .Homage to Piet Mondrian. Related to Fashion. Yves Saint Laurent’s passion for painting led him and Pierre Bergé to assemble a truly incredible art collection. The couturier also expressed his admiration for painters through the various .The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. This collection was a homage to the work of several modernistic artists. Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). Because these six shift dresses played a major role in this collection, the collection is called the .
Iconica e osannata: la collezione Autunno Inverno 1965/1966, che vede lo stilista Yves Saint Laurent e il pittore Piet Mondrian protagonisti della scena, segna ancora oggi uno .Après la collection automne-hiver 1965, Yves Saint Laurent et Pierre Bergé achètent des toiles du peintre Piet Mondrian. La première acquisition a lieu en 1978, avec Composition I (1920), par l’intermédiaire du marchand Alain . A conversation about the bond between fashion and fine art is incomplete without an in depth discussion of Yves Saint Laurent's Mondrian dress. The shift dress that puts all .
Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, .Two iconic men’s visions came together in 1965 when Yves Saint Laurent decided to create six sack dresses that incorporated work by Piet Mondrian. Mondrian was a Dutch artist who .
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This remarkable endeavor began in 1965 when Saint Laurent was reading Michel Seuphor’s book, Piet Mondrian, Life and Work. The purity of Mondrian's simple lines and color . Yves Saint Laurent y Mondrian: una conexión entre el arte y la moda.Hemos visto al arte como inspiración en la moda por muchísimos años, una relación que resulta en lo que hoy conocemos como el wearable art. Sin embargo, el plasmar una obra en una pieza tridimensional no siempre fue lo más común. Cuando Yves Saint Laurent lanzó su colección otoño-invierno .Après la collection automne-hiver 1965, Yves Saint Laurent et Pierre Bergé achètent des toiles du peintre Piet Mondrian. La première acquisition a lieu en 1978, avec Composition I (1920), par l’intermédiaire du marchand Alain . Saint Laurent’s tuxedo known as Le Smokin, autumn-winter 1966. Photograph courtesy of Musée Yves Saint Laurent Paris ©Yves Saint Laurent. In the realm of high fashion, Diana Vreeland, the influential former editor of Vogue and consultant for The Met’s Costume Institute, stood as a towering figure. Initially, Vreeland wasn’t convinced of .
This dress was designed by Yves St Laurent (born 1936); the fabric was produced by Abraham and Bianchini Ferier. The dress was inspired by the abstract paintings of the Dutch De Stijl artist Piet Mondrian (1872-1944). Yves St Laurent designed a group of bold dresses based on intersecting black stripes and blocks of primary colours. An extraordinary look at how the style of Piet Mondrian’s abstract paintings was posthumously appropriated by 1960s fashion, Pop art, and consumer culture.Yves Saint Laurent’s 1965 Mondrian dresses are among the twentieth century’s most celebrated and recognizable fashions, but the context of their creation involves much more than meets the eye. In . De las galerías de arte a las pasarelas. El vestido del diseñador francés Yves Saint Laurent, inspirado en el arte vanguardista de Piet Mondrian, será el protagonista del museo que tiene la marca en París.. La empresa del grupo Kering dedica una exposición a este icónico vestido en el museo de Yves Saint Laurent situado en la capital francesa. De esta manera, la .
This dress is a masterpiece by Yves Saint-Laurent, a leading designer of the 20th century. A straight A-line dress with boldly set primary colors, bordered by black straight lines, was created after "Compositions," famous paintings by the Dutch painter Piet Mondrian (1872–1944). The abstract painting, composed of separate blocks of white, red and black on the canvas, could .
PDF | On Dec 15, 2012, Frederique Van Reij published Wearing Mondrian Yves Saint Laurent's Translation from High Art to Haute Couture | Find, read and cite all the research you need on ResearchGate
Models wearing Mondrian-inspired dresses by Yves Saint Laurent, The Hague Municipal Museum, 1966; Eric Koch / Anefo, CC0, via Wikimedia Commons However, Mondrian art went beyond mere aesthetic considerations, as his quest for harmony and balance through painting brought about an entirely new meaning as to what art truly stood for.
SAINT LAURENT, Yves. Vestido ‘Mondrian . Piet Mondrian. A pesar de que llevaba, tan solo, tres años, desde 1961, dirigiendo su propia firma y casa de alta costura, decidió tomar tal inspiración para que esta acompañase a la mujer de los años sesenta. Fue el 15 de agosto 1965 cuando Yves sorprendió en la pasarela con su nueva .
As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Nancy J. Troy, Victoria and Roger Sant Professor in Art Emerita at Stanford University, recently published Mondrian’s Dress: Yves Saint Laurent, Piet Mondrian, and Pop Art (MIT Press) with coauthor Ann Marguerite Tartsinis. The book examines the confluence of modern art and fashion, with a particular interest in consumerism, circulation, and the .This dress is a masterpiece by Yves Saint-Laurent, a leading designer of the 20th century. A straight A-line dress with boldly set primary colors, bordered by black straight lines, was created after "Compositions," famous paintings by the Dutch painter Piet Mondrian (1872–1944). The abstract painting, composed of separate blocks of white, red and black on the canvas, could . The Collection Mondrian. Crossing the threshold of the museum, beyond its stone facade and welcomed by Andy Warhol’s portrait of Yves Saint Laurent, one enters the heart of a maison: amidst Napoléon III splendor, gilded details, reflective plays of light, boiserie, and green damask.The esprit is that of Haute couture, with its rituals and secrets; the cult of beauty that .
Saint Laurent’s tuxedo known as Le Smokin, autumn-winter 1966. Photograph courtesy of Musée Yves Saint Laurent Paris ©Yves Saint Laurent. In the realm of high fashion, Diana Vreeland, the influential former editor of Vogue and consultant for The Met’s Costume Institute, stood as a towering figure. Initially, Vreeland wasn’t convinced of .
The most famous part of this collection was 6 Mondrian cocktail dresses. Yves Saint Laurent was inspired by a book about Piet Mondrian, which his mother had given him. Based upon a picture of the artist, he created a model of a cult dress with black lines and blocks of primary color. He managed to transfer the painting on a woman, made the . The Show. The Autumn 1965 Couture show came at a time when Yves Saint Laurent was, ostensibly at least, struggling to keep up with the modernity of his contemporaries, particularly the Space Age designs of André Courrèges, whose evocative 1964 collection ushered in the intergalactic look of clean, manmade fabrics and high hemlines – the first iteration of the . Yves Saint Laurent’s “Hommage à Piet Mondrian” (Fall Winter 1965) dress hangs next to Mondrian’s Composition en rouge, bleu et blanc II (1937). Photo: ©Hélène Mauri
Saint Laurent’s tuxedo known as Le Smokin, autumn-winter 1966. Photograph courtesy of Musée Yves Saint Laurent Paris ©Yves Saint Laurent. In the realm of high fashion, Diana Vreeland, the influential former editor of Vogue and consultant for The Met’s Costume Institute, stood as a towering figure. Initially, Vreeland wasn’t convinced of .Mondrian dress, Yves Saint Laurent, 1965. Show details Add to your set. Number of favorites: {{data.NrOfFavoritesFormatted}} Save in your Rijksstudio; This whole work . Wollen japon met een motief geïnspireerd op het werk van de Nederlandse schilder Piet Mondriaan. Voor- en achterzijde zijn door middel van zwarte lijnen symmetrisch verdeeld .
Vogue 1556, a shift dress by Yves Saint Laurent, is a design from the Fall 1965 'Mondrian' collection. (See my post on the Mondrian collection patterns here.) Of the five designs Richard Dormer photographed for the February/March 1966 issue of Vogue Pattern Book, Vogue 1556 is the only one shown in colour, showing off the.
Hace 13 años el diseñador Yves Saint Laurant (1936-2008) ya no está entre nosotros pero su nombre se mantiene intacto en el universo de las marcas de lujo; y es que Saint Laurent dejó un legado que trasciende inclusive a su presencia física.. La historia de este genio creador es realmente apasionante y se puede empezar a contar desde sus primeros años en su natal .
Guest lecturer Ann Tartsinis, an art historian and curator from Oakland, California, visits the CMA to discuss the intersections between fashion, Piet Mondrian, and American Pop Art in relation to her research for the book she co-wrote with Nancy J. Troy, Mondrian’s Dress: Yves Saint Laurent, Piet Mondrian, and Pop Art. This scholarly volume closely examines how the style of .
Da Yves Saint Laurent a Supreme: tutte le volte che Mondrian ha influenzato la moda. 27 Settembre 2020. . Piet Mondrian voleva descrivere una realtà non rappresentativa, poiché la natura risulta essere troppo complessa e molteplice per essere oggetto di un’opera. Ecco quindi che l’unica chiave è ridurre tutto all’essenza, . —Arab News “ Mondrian’s Dress: Yves Saint Laurent, Piet Mondrian, and Pop Art is an illustrated monograph that explores a mid-’60s moment, one that has been sitting in plain sight, largely unexamined, for more than half a century—and whose significance went well beyond fashion. As the authors reveal, the untitled yet instantly . In this presentation based on their recently published book, Mondrian’s Dress: Yves Saint Laurent, Piet Mondrian, and Pop Art (MIT Press, October 2023), Nancy J. Troy and Ann Marguerite Tartsinis examine the explosive popularity of Yves Saint Laurent’s 1965 Mondrian dresses, tracing the circulation of the original couture models as they were copied in massive .
Mondrian dress by Yves Saint Laurent, 1965. A look at the premises of the intersection of fashion and art. Unquestionably one of the most famous iterations of collaborations between art and fashion, the Mondrian dresses of 1965 were an instant commercial success that is still being discussed today. At a time where art and fashion were still distinct categories, .
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